University of Exeter Press

Alternative Cornwalls

Literature and the Invention of Place

    • 244 Pages

    This book takes a fresh look at the representation of Cornwall in literature from the nineteenth century to the present day. It identifies alternative literary ‘Cornwalls’ and seeks to understand these lost, hidden or subsumed versions of place and their relationship to the dominant, tourist-friendly ways in which Cornwall has been culturally produced. Digging down (a fitting metaphor given the importance of mining) below a sun, sea and sand promotion of Cornwall as an exotic haven, the volume offers new readings of familiar texts and locations, reintroduces little-known, forgotten or rarely studied material and inhabits places that are seldom centre stage. Considering class, gender, rural and urban locales, exterior and interior landscapes, and conceptualizations of the edge, it presents novel and invigorating perspectives.

    Taking as her subject matter the work of both Cornish and visiting writers, literary scholar and Cornishwoman Gemma Goodman explores the fictional terrain beyond the creative landmarks that dominate how Cornwall is fashioned and understood in the national imaginary. In doing so, she begins to establish a more detailed cultural geography of this intricate land- and seascape. This book helps position Cornish literature as a body of work in its own right as well as within the wider context of British writing and literary studies.

    Alternative Cornwalls offers a compelling study of Cornwall in the literary imagination. Goodman maps a rich terrain, traversing across moors and mines, from country to city, out to the coastal edges and into less familiar interiors. A wealth of literary sources are brought together through nuanced and perceptive readings, lending intricate insight and enriching new perspectives into the many versions and visions of Cornwall to be found in literature.

    Dr Charlotte Mathieson, Senior Lecturer in Nineteenth-Century English Literature, University of Surrey

    Goodman takes a fresh, nuanced look at the rich multiplicity of Cornwall beyond the romanticised holiday version familiar to visitors: it takes in moors as well as mines, the clay industry as well as coastal cliff scenery. In addition to bringing submerged versions of Cornwall to the surface Alternative Cornwalls impressively spans a wonderful range of authors and genres from the 1850s to the present, from Victorian classics to lesser-known regional mining novels and from bestselling crime, mystery and spy fiction to novels that engage with the fraught environmental and psychological edges of living on the Cornish peninsula.

    Professor Shelley Trower, author of Rocks of Nation

    While Alternative Cornwalls builds on existing ideas in Cornish studies, it takes the discipline in new directions with its specialist analysis of recent literature. It's a huge contribution. 

    Professor Philip Payton, author of Cornwall: A History

    Introduction: Cornwalls
    1. Mining Class and Gender
    2. Beyond England
    3. On the Edge
    4. Urban Cornwall
    5. Moor and Clay
    Conclusion: Looking and Seeing

    Notes
    Bibliography
    Index

    Gemma Goodman holds a PhD in English Literature from the University of Warwick. She returned home to Cornwall in 2016 and continues her research on the literature of Cornwall, alongside work as a researcher on academic projects and a project manager for cultural and heritage projects.

    ISBN
      DOI https://doi.org/10.47788/HATK8600
      • 244 Pages